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ABOUT
CONTACT
HER PRACTICE POSITIONS MUSIC PRODUCTION AS A SITE OF CRITICAL INQUIRY THAT CARRIES NOT ONLY INDIVIDUALITY BUT ALSO EPISTEMOLOGICAL WEIGHT.
ALONGSIDE HER MUSIC RELEASES, LINX’S CORE RESEARCH IS GROUNDED IN TRAUMA, HAUNTOLOGY AND POWER STUDIES, EXAMINING HOW ABSENCE, INTIMACY, AND HISTORICAL RESIDUES PERSIST AS EMBODIED CONDITIONS RATHER THAN SOLELY REPRESENTATIONAL PHENOMENA.
WORKING FROM THE PREMISE THAT THE SPECTRAL IS INSCRIBED WITHIN THE BODY, SHE INVESTIGATES HOW POLITICAL STRUCTURES, CULTURAL MEMORY, AND SYSTEMS OF CONTROL MATERIALIZE AS AFFECT, RHYTHM, AND SENSORY EXPERIENCE. THIS TRAJECTORY UNFOLDS FURTHER IN “CARE” — HER ONGOING ART-LED PERFORMANCE PROJECT LAUNCHED IN 2026 WHERE SOUND AS QUERIES, AS CHARGED TERRAINS WHERE VULNERABILITY, LABOUR, AND POWER MEET.
THROUGH PERFORMANCE, INSTALLATION, AND SOUND-DRIVEN ENVIRONMENTS, LINX ENGAGES THE BODY AS AN ARCHIVE AND A CONTESTED SITE, USING VIBRATION, REPETITION, AND ATMOSPHERICS TO DESTABILIZE DOMINANT STRUCTURES AND REORGANIZE THE PERCEPTUAL FRAMEWORKS THROUGH WHICH SUBJECTIVITY IS PRODUCED.
CURRENTLY COMPLETING A CONTEMPORARY ART DEGREE AT CENTRAL SAINT MARTINS, LINX MOVES BETWEEN LONDON’S MUSIC, ART, AND FASHION SPHERES, WHERE HER WORK CIRCULATES AS BOTH CULTURAL PRODUCTION AND EMBODIED PROPOSITION.
PRESS
(25) SABUKARU.ONLINE
(25) OFFICE
EDUCATION
(27) MA CONTEMPORARY PHOTOGRAPHY
CENTRAL SAINT MARTINS
UNIVERSITY OF THE ARTS LONDON
(24) BFA DIGITAL MEDIA ARTS
SCHOOL OF FILM AND TELEVISION ARTS
XI’AN JIAOTONG-LIVERPOOL UNIVERSITY
FIRST CLASS HONOURS AND GPA 3.9
INTERNSHIP
(24) ROCKBUND ART MUSEUM
SHANGHAI
BRANDING AND DESIGN
(23) ARTREVIEW MAGAZINE
SHANGHAI
EDITORIAL